• soracities:

    i dont know how else to put this but to approach books (or any media, really) solely for the sake of relatability is genuinely incredibly heartbreaking……to have such little (or such unwilling) imaginative scope that you cannot stretch yourself, even marginally, in a different direction to what you’ve known or are used to knowing when the very POINT of stories is to transport you somewhere else, into someone else, so you can do just that……..when fran lebowiz said a book “is supposed to be a door!” and george saunders said good prose “is like empathy training wheels” they were right!!! they were so so so SO absolutely entirely right!!!!!

    (via firstfullmoon)

  • on-poetry:

    “It is June. I am used to being
    a certain kind of alone.“

    The Black Saint & The Sinner Lady & The Dead & The Truth“ by Morgan Parker, in Harper’s Magazine

    (via firstfullmoon)

  • firstfullmoon:

    Late Spring // Finally the world is beginning / to change, its fevers mounting, / its leaves unfolding. // And the mockingbirds find / ample reason and breath to fashion / new songs. They do. You can / count on it. // As for lovers, they are discovering / new ways to love. Listen, their windows are open. / You can hear them laughing. // Without spring who knows what would happen. / A lot of nothing, I suppose. / The leaves are all in motion now / the way a young boy rows and rows // in his wooden boat, just to get anywhere. / Late, late, but now lovely and lovelier. / And the two of us, together—a part of it.ALT

    Mary Oliver, “Late Spring,” in Felicity

  • proustiansleep:

    “I used to believe that the best writing had to emerge from a life that had been carefully sculpted to produce the perfect conditions for creativity: long stretches of uninterrupted time, days cleared of logistics and obligations, dentist appointments and school lunches and cardboard boxes waiting to be unpacked. But eventually I learned that no beautiful writing comes from an impossibly perfect world; it all comes from this one: cluttered, obligated, distracted. After I came to accept that beauty comes from the imperfect mess of living, rather than the impossible ideal of an unencumbered life, it asked me to stop seeing life and writing as antagonists, locked in combat, and to start seeing the ways that even the logistics and obligations of life might ultimately feed into the compost heap of creativity, and certainly that the obligated, beholden life is the only one from which we work – that so much beauty has come from it.”

    — Leslie Jamison

    (via firstfullmoon)

  • m-aremagnum:

    image
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    Nick Cave in conversation with Sean O’Hagan, Faith, Hope and Carnage, 2022

    (via firstfullmoon)